When it comes to the supernatural, few have not had a brush with eternity. Whether you attend church regularly or are the most determined doubter, the miraculous seeks out all at one point or another. Most of us have one or two fleeting incidents which we easily explain away, while an insistent few claim to have regular contact with members of the great beyond. Who are these beings who open the veil and remind us that we are not alone? Are they glorious messengers sent from God, or malevolent tormentors? Tradition gives them names, but what is the distinction between an angel, a spirit, and a ghost?
Stories of angels are as old as history. In virtually every world religion there is an angel figure-a benevolent celestial being who acts as an intermediary between heaven and earth. In scripture, angels visit man on earth to deliver messages. While many Christians believe that angels are the souls of good people who have passed on, official church doctrine generally describes angels as being created by God before the creation of humanity. Instead, saints are defined as virtuous people who have received their immortality. (One exception to this would be the Church of Jesus Christ of Latter-Day Saints, who believe angels are humans who have been resurrected and have bodies of flesh and bone.) Angels are generally virtuous beings, although there are “fallen angels” who become known as demons. Although artists depict angels in glowing robes with halos and wings, the Bible says many entertain angels unawares. If you sense you have been visited by a heavenly being who has delivered an important message, chances are, you have been in touch with an angel.
The definition of spirits is more nebulous. Spirit is used to describe many things, including the part of a living being associated with the mind, will, and feelings. The word spirit is used interchangeably with angel and ghost, although spirits most definitely exist separate from the physical body.
While spirits and angels are almost always part of traditional Western dogma, ghosts are often left out of the religious equation. However, many spiritualists and individuals who have experienced near-death experiences describe ghosts as being individuals who have died, but who have not passed through the “tunnel of light.” They are found in areas they frequented during their lifetimes, and are attired in the styles of their day. Unlike angels, ghosts are in a condition of darkness and lack understanding. They may be confused, may not even know that they have died. Ghosts are almost always associated with haunting-although they may mean no harm. Most ghosts have an attachment to this world, be it unfinished business, emotional trauma, or fears that keep them from crossing over. A visit with a ghost does not have to be frightening. The kindest thing you can do for a ghost is to help him or her to put closure on his or her life and decide to find peace in the next life. A ghost who is particularly evil may have to be exorcized by an authority.
Angels, spirits, and ghosts each serve their own purposes, but one thing they all have in common is they remind us of our own mortality and keep our eyes heavenward.
For more information on the upcoming movie ‘The Ghosts of Crowley Hall’ visit http://www.crowleyhallghosts.com/ – or our MySpace page http://www.myspace.com/crowleyhallghosts
Monday, 28 January 2008
Saturday, 26 January 2008
'The Invitation' Music Video by LadyAxe
Multi-talented South African Musician ‘LadyAxe’ presents the music video for ‘The Invitation’, which is the official song from the upcoming horror movie ‘The Ghosts of Crowley Hall’. Directed by herself, the video was shot entirely on location in South Africa, with various clips from the movie being added in later.
The song was written and performed by LadyAxe, and is a personal interpretation of the nightmares that lay in wait at Crowley Hall.
LadyAxe has been singing on stage since she was 19, touring around South Africa with bands such as V.O.D and Stryder. Recently, she has written and directed the short horror movie ‘Ukoyika’, a story about a young Australian girl who disappears after she falls down an abandoned mine shaft. There she encounters the evil that has been buried for the last 80 years.
Both ‘The Invitation’ music video and the ‘Ukoyika’ will be featured on ‘The Ghosts of Crowley Hall’ DVD on its release.
‘The Invitation’
Performed by LadyAxe
Written by LadyAxe and Anushka V
Produced by Watts Productions (Port Elizabeth, South Africa)
For more information on Lady Axe visit her website - http://www.helltic.com/ - or her MySpace page http://www.myspace.com/ladyaxe
For more information on the upcoming movie ‘The Ghosts of Crowley Hall’ visit http://www.crowleyhallghosts.com/ – or our MySpace page http://www.myspace.com/crowleyhallghosts
The song was written and performed by LadyAxe, and is a personal interpretation of the nightmares that lay in wait at Crowley Hall.
LadyAxe has been singing on stage since she was 19, touring around South Africa with bands such as V.O.D and Stryder. Recently, she has written and directed the short horror movie ‘Ukoyika’, a story about a young Australian girl who disappears after she falls down an abandoned mine shaft. There she encounters the evil that has been buried for the last 80 years.
Both ‘The Invitation’ music video and the ‘Ukoyika’ will be featured on ‘The Ghosts of Crowley Hall’ DVD on its release.
‘The Invitation’
Performed by LadyAxe
Written by LadyAxe and Anushka V
Produced by Watts Productions (Port Elizabeth, South Africa)
For more information on Lady Axe visit her website - http://www.helltic.com/ - or her MySpace page http://www.myspace.com/ladyaxe
For more information on the upcoming movie ‘The Ghosts of Crowley Hall’ visit http://www.crowleyhallghosts.com/ – or our MySpace page http://www.myspace.com/crowleyhallghosts
Wednesday, 9 January 2008
Decades Of Horror Movies
Horror movie reviews are famous due to their appraisal of horror movies, which help the audience to decide if they are too horrific for them to watch, or if they are within their limits. Horror films are films of the horror genre that are designed to elicit fright, fear, terror, disgust or horror from viewers. Horror is defined as an overwhelming and painful feeling caused by something frightfully shocking, terrifying, or revolting. Filmmakers would continue to merge elements of science fiction and horror over the following decades.
The horror genre has also offered various types of horror movies that deal with Satan. The late 1950s and early 1960s saw the rise of production companies focused on producing horror films, including the British company Hammer Film Productions. Hammer enjoyed huge international success from full-blooded technicolor films involving classic horror characters, often starring Peter Cushing and Christopher Lee, such as The Curse of Frankenstein (1957), Dracula (1958), and The Mummy (1959) and many sequels. Hammer, and director Terence Fisher, are widely acknowledged as pioneers of the modern horror movie. . In the 1960s the genre received a notable enlivening by the addition of three important sub-genres: the horror of personality, the horror of Armageddon, and the horror of the demonic, as observed by Charles Derry. Other analysts used terms such as "psychological horror", with less precision. Films of this time seemed to cross lines between horror and thriller conventions, with an especially notable example in Alfred Hitchcock's Psycho (1960). For the first time in Psycho, the object of horror does not look like a monstrous or supernatural other, but rather a normal human being. The horror has a human explanation, too, based in Freudian psychology and sex. Films of the horror-of-personality sub-genre continue to appear through the turn of the century, with 1991's The Silence of the Lambs a noteworthy example. Some of these films further blur the distinction between horror film and crime or thriller genre. Ghosts and monsters still remained popular, but many films that still relied on supernatural monsters expressed a horror of the demonic. The Innocents (Jack Clayton, 1961) and The Haunting (Robert Wise, 1963) were two such horror-of-the-demonic films from the early 1960s, with high production values and gothic atmosphere. Hitchcock's The Birds (1963) had a more modern backdrop; it was a prime example of a menace stemming from nature gone mad and one of the first American examples of the horror-of-Armageddon sub-genre. One of the most influential horror films of the late 1960s was George Romero's Night of the Living Dead (1968). This horror-of-Armageddon film about zombies was later deemed "culturally, historically or aesthetically significant" enough to be preserved by the United States National Film Registry. Other companies contributed to a boom in horror film production in Britain in the 1960s and '70s, including Tigon-British and Amicus, the latter best known for their anthology films like Dr Terror's House of Horrors (1965). These sometimes controversial productions paved the way for more explicit violence in both horror and mainstream films
The first, a minimal approach which was equal parts Val Lewton's theory of "less is more" (usually employing low-budget techniques seen on 1999's The Blair Witch Project) and the emergence of Japanese horror movies which have been remade into successful Americanized versions, such as The Ring (2002), and The Grudge (2004). There has been a return to the zombie genre in horror movies made after 2000.
by Samantha Bennett
More on Arron Kasady’s ghost investigations and the upcoming movie ‘The Ghosts of Crowley Hall’ can be found on our official site - www.crowleyhallghosts.com
The horror genre has also offered various types of horror movies that deal with Satan. The late 1950s and early 1960s saw the rise of production companies focused on producing horror films, including the British company Hammer Film Productions. Hammer enjoyed huge international success from full-blooded technicolor films involving classic horror characters, often starring Peter Cushing and Christopher Lee, such as The Curse of Frankenstein (1957), Dracula (1958), and The Mummy (1959) and many sequels. Hammer, and director Terence Fisher, are widely acknowledged as pioneers of the modern horror movie. . In the 1960s the genre received a notable enlivening by the addition of three important sub-genres: the horror of personality, the horror of Armageddon, and the horror of the demonic, as observed by Charles Derry. Other analysts used terms such as "psychological horror", with less precision. Films of this time seemed to cross lines between horror and thriller conventions, with an especially notable example in Alfred Hitchcock's Psycho (1960). For the first time in Psycho, the object of horror does not look like a monstrous or supernatural other, but rather a normal human being. The horror has a human explanation, too, based in Freudian psychology and sex. Films of the horror-of-personality sub-genre continue to appear through the turn of the century, with 1991's The Silence of the Lambs a noteworthy example. Some of these films further blur the distinction between horror film and crime or thriller genre. Ghosts and monsters still remained popular, but many films that still relied on supernatural monsters expressed a horror of the demonic. The Innocents (Jack Clayton, 1961) and The Haunting (Robert Wise, 1963) were two such horror-of-the-demonic films from the early 1960s, with high production values and gothic atmosphere. Hitchcock's The Birds (1963) had a more modern backdrop; it was a prime example of a menace stemming from nature gone mad and one of the first American examples of the horror-of-Armageddon sub-genre. One of the most influential horror films of the late 1960s was George Romero's Night of the Living Dead (1968). This horror-of-Armageddon film about zombies was later deemed "culturally, historically or aesthetically significant" enough to be preserved by the United States National Film Registry. Other companies contributed to a boom in horror film production in Britain in the 1960s and '70s, including Tigon-British and Amicus, the latter best known for their anthology films like Dr Terror's House of Horrors (1965). These sometimes controversial productions paved the way for more explicit violence in both horror and mainstream films
The first, a minimal approach which was equal parts Val Lewton's theory of "less is more" (usually employing low-budget techniques seen on 1999's The Blair Witch Project) and the emergence of Japanese horror movies which have been remade into successful Americanized versions, such as The Ring (2002), and The Grudge (2004). There has been a return to the zombie genre in horror movies made after 2000.
by Samantha Bennett
More on Arron Kasady’s ghost investigations and the upcoming movie ‘The Ghosts of Crowley Hall’ can be found on our official site - www.crowleyhallghosts.com
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